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© carragh amos 2019

Untitled . Singapore, 2019. Unglazed stoneware, Anagama fired 51 hours, cone 11. 6.3 x 7.8 x 8.1 cm

Untitled . Singapore, 2019. Unglazed stoneware, Anagama fired 51 hours, cone 11. 10.2 x 6.3 x 6.2 cm

Untitled . Singapore, 2019. Unglazed stoneware, Anagama fired 51 hours, cone 11. 8.5 x 8.5 x 6.5cm

Untitled . Singapore, 2019. Unglazed stoneware, Anagama fired 51 hours, cone 11.14.3 x 5.8 x 5.8 cm

Untitled . Singapore, 2019. Unglazed stoneware, Anagama fired 51 hours, cone 11. 6.7 x 6.9 x 6.5 cm

Untitled . Singapore, 2019. Unglazed stoneware, Anagama fired 51 hours, cone 11. 12 x 7.5 x 7.5cm

Untitled . Singapore, 2019. Unglazed stoneware, Anagama fired 51 hours, cone 11. 13 x 10 x 5.5 cm

These works consider the effect of process on how we interpret an object. "51 hours, 22 hands" was created at a traditional Anagama kiln site in Ipoh, Malaysia. The wood kiln is stoked continuously by a team of artists over several days, the patterns and colours across the surface a result of the heat and ash produced by this communal labour.